The Adventures of Tintin

Based on the Belgian creator Hergé’s popular children’s comic book series, The Adventures of Tintin, this is a computer animated feature film by Steven Spielberg and Peter Jackson, who teamed up to give Tintin the loving special treatment that it deserves and hopefully kindle interest in the original comic books for a new generation of children.

This movie is full of extremely detailed and fantastic action set pieces as you would expect from the directors of such iconic action/adventures as the Indiana Jones and The Lord of the Rings trilogies, and is fun for the whole family while remaining true to the spirit of the comics. 

There are story elements from three of the Tintin books fused together to make a blend of action packed adventure sequences that take us to exotic locations around the world. Tintin, a young reporter, follows the clues to a mysterious buried treasure as we are introduced to the main characters.

I was under the impression that, as there would not be enough action in one Tintin comic to base a whole movie on, the movie would be a combination of two or three comics, and indeed that is what has been done, but the action set pieces are so numerous and drawn out that only half the story arc from two comics is actually covered in the movie and we are left hanging at the end. It is clear that the adventure continues with the next film.

The movie is a mix of very realistically rendered motion-capture performances from the actors used to play the characters on the one hand, and extremely fantastic and unrealistically cartoonish action sequences on the other.  You get the feeling that you’re watching a live-action film at times and then a Disney cartoon at other times. The John Williams music score is very evocative of the Indiana Jones soundtrack also by the great John Williams.

The staggering drunkard Captain Haddock, hilariously played by Andy Serkis, is the most fun to watch as he gets our hero from one misadventure into another. The movie moves at a breakneck pace without stopping and has plenty of stunning eye candy but could be a little overwhelming at times on the first viewing.  The movie and the viewer would probably benefit from multiple viewings; I know I would love to see this again on Blu-ray.

I saw this film in 3D but the 3D effects are mostly very subtle and probably not worth spending the extra money on. I think it will be just as enjoyable in 2D and maybe even more so for some people who find the 3D effect distracting and uncomfortable.

At the beginning of the film, watch for a wonderful homage to its comic creator in a cameo appearance as a street portrait artist, painting a caricature of Tintin as he appears in the comics.

Tintin et Moi (Tintin and I) (2003) is a detailed, in-depth documentary about Hergé, the Belgian creator of the popular children’s comic book series The Adventures of Tintin and the circumstances under which he was sometimes forced to work when the company he worked for came under Nazi control during W.W. II. Never having traveled to any of the placed that he so accurately depicts in his hero’s adventures, he meticulously researched all the locations in books, newspapers and from people who had been there. This documentary is even more interesting because it’s all based on an interview he did for a young student, years before, that he felt he could open up to and talks intimately about his personal life and his creations.

JP

The Artist

The less you know about The Artist going in, the more likely you will be to go see it. The Artist is one of those movies that has certain elements associated with it that may diminish your interest in seeing it. It’s like last year’s movie The Social Network. No matter how much I tried to convince people that it was a great movie worth seeing, people were just turned off by the idea of a movie about Facebook.

So when asked what The Artist is about, I would reply ‘I can’t tell you, if I did, you wouldn’t want to see it.’ Even by choosing my words carefully to describe it, and to make it sound as interesting as possible, certain words would inevitably need to be used that I knew would have a negative effect on the listener.

Let’s do this. I will be as blunt as possible and get all the offending words out of the way first. Then I will ask you to forget about all that because this movie is so lovingly made, that it will transcend any negative effect of these words. 

OK here goes: It’s a love story, it’s black & white and it’s a silent film, filmed in 1.33: 1 aspect ratio. (not widescreen) and no Dolby digital surround sound.

Now, unless you’re a fan of silent films, forget the previous sentence because despite all that, this is a new film, not an old one from the 20s, although it is set in the Hollywood of the 1920s and 30s. It follows a Hollywood silent film star at the beginning of the sound era in movies, marking the end of the silent film. Many silent films stars were not able to make the transition to sound as they were mostly physical actors more like stunt men in many ways. It was particularly sad for the big stars like Buster Keaton who tried to adapt their style of comedy to sound films but were just not successful. Such incredible talents were instantly made obsolete and a whole art form vanished overnight. 

The effect was devastating for silent actors and The Artist, which is filmed and performed in the style of an authentic silent film, shows the decline of a dashing Douglas Fairbanks type of silent leading man after sound revolutionized the film industry and killed his career. 

The film also has lots of heart, humor, and charm, and after you get used to the silence of the film (there is only a music track) and begin to appreciate the physical performances and expressions through body language and visual art, you really get a sense of how alien sound must have seemed when it first arrived and added a whole new dimension to film.

The Artist is full of wonderful visual homages commonly used in silent films to communicate emotions and ideas to the audience and it recreates old Hollywood so realistically that you think you are actually seeing a silent film from the time. Also lovingly recreated is the acting style and filming style of the time. The film pulls you in with its excellent cast of relatively unknown actors and a compelling story that’s funny, sad and emotionally satisfying in a wholesome way that’s appropriate for the time period.

The Artist proves that you don’t need sound or color or digital effects to tell a great story or make a great film. Unfortunately, The Artist will probably never reach a big audience precisely because it doesn't have the trappings of a modern movie. But it has recently won a number of prestigious awards that should help it find a bigger audience, including The Oscar for Best Picture, Director (Michel Hazanavicius), Actor (Jean Dujardin), Costume and Original Score, The Critic's Choice Movie Award for Best Picture, The Golden Globe Award for Best Picture (Comedy/Musical), and 7 British Film Awards (BAFTA) including Best Picture.

Also see Jean Dujardin in the very funny French spy comedies, OSS 117: Cairo, Nest of Spies (2006) and its sequel OSS 117: Lost in Rio (2009), by the same director of The Artist.

JP

The Incredible Mr. Brad Bird makes live-action debut

What do The Iron Giant, The Incredibles, Ratatouille and the upcoming fourth Mission: Impossible – Ghost Protocol all have in common?  Brad Bird was the creative force who directed all of these incredible films. Mission: Impossible – Ghost Protocol, already being considered the best of the franchise, will be in cinemas Wednesday Dec. 21, 2011 (watch the trailer), and will be Mr. Bird’s first time directing a live-action film.

The Iron Giant (1999) was a Warner Bros. animated film, whose anti-war story with a loveable robot and boy friendship at its center, was widely considered a masterpiece and made with half the budget of a Disney animated film. Unfortunately the movie went widely unnoticed because Warner Bros. did not promote the film as much as they should have and many of the people involved, including Brad Bird, felt let down by the studio for not promoting a film whose story many thought was superior to the films of the bigger animation studios.

The film’s powerful emotional and heart felt story won over many fans that heard about it through word of mouth and it eventually became a classic of animation. Even people in the industry working for competing studios noticed the excellence on display and admitted that The Iron Giant was one of their favorite films. 

John Lasseter, the head of Pixar, and a good friend of Brad Bird from the days when they both attended a Cal Arts character animation school in 1976, which was Disney’s brainchild, decided after seeing The Iron Giant and hearing his idea for a new project, that Brad would be a great person to have at Pixar Animation, who were now working on Toy Story 2 (1999), and Monster’s Inc. (2001).

So in 2000, after reconnecting with each other, Brad was hired by Pixar to start work on his idea for a new super-hero story that he had been working on years before. The Incredibles (2004) was a story about a super-hero family forced to live in hiding after being outlawed by society, who sees them as a menace. Most of the story had already been developed by Brad Bird when he joined Pixar and the movie went on to become one of Pixar’s most beloved films. Critics loved it, praising Brad Bird for giving a new freshness to the super-hero genre and calling it the smartest and most enjoyable for the whole family of all the Pixar films so far. The Incredibles won the Academy Award for best animated feature giving Pixar its second win in that category.

At about the same time as The Incredibles was being made someone else at Pixar, Jan Pinkava, came up with the idea of a rat who aspired to become a gourmet chef in Paris. The idea was so bold and risky that only one man could do it justice.  Pixar approached Brad Bird again to direct a film called Ratatouille (2007). 

Ratatouille set another high-water mark for animation at the innovative San Francisco based studio and became an instant classic, going on to win another Academy Award for best animated feature and Brad Bird was nominated for best original screenplay. He even topped himself with Ratatouille, which is hard to believe considering his unsurpassed work to this point. Brad has always been a talented animator and director but he has really flourished at Pixar, doing some of his most brilliant work there. 

The inspiring theme that seems to run through all his movies is that no matter whom you are or where you come from or what you are born into, you can choose to be what you desire most. Whether you’re a military weapon doomed to a life of destruction, or a super-hero family forced to live an ordinary life, or even a rat living off garbage aspiring to be a chef. All these characters made the choice to follow their passion no matter what their circumstances.

It should be very interesting, to say the least, to see how he does with his first live-action movie; Mission: Impossible – Ghost Protocol (2011). Watch for it coming Wednesday Dec. 21, 2011.

The Women on the 6th Floor

The Women on the 6^th Floor is a charming French romantic comedy about Spanish maids in 1960s Paris. During the Franco era dictatorship in Spain, Spanish women found work in Paris, France where living and working conditions were much better, even for maids.

The Film is set mostly inside a French style luxury apartment building where the cramped attic floor is used to house maids who were hired by the tenants of the building to clean their apartments while they are at work. These maids often worked for the same family for many years raising their children and becoming part of the family themselves.

We are treated to a wonderful nostalgic and often funny look at the maid’s daily routine and their relationship with the family and the other maids living and working in the building. Because of their tight living arrangement and because they share a common culture in an alien environment, the maids form a close bond and help each other out when needed.

The movie focuses on the middle aged French landlord Jean-Louis Joubert (Fabrice Luchini) the owner of one of these apartment blocks who also lives in the building with his wife Suzanne (Sandrine Kiberlain) and leads a routine conservative life working in the family business as a stock broker for the wealthy.  When his French maid quits one day over disputes with his new class conscious young wife, Suzanne decides to hire a Spanish maid when her friends convince her that they are all the rage in Paris now.

The movie revels in showing us the comic clashes between the reserved French upper class and the lively passionate Spanish maids. The maids from Spain are often from the poor Spanish country side and found themselves working in unimagined luxury where they dream of someday achieving a better lifestyle for themselves back in Spain or marrying handsome Frenchman.

When the landlord Jean-Louis meets his new young and beautiful Spanish maid Maria (Natalia Verbeke) he becomes instantly and quite genuinely attracted to her and decides to learn more about this new mysterious culture. What he discovers is a whole new world he had never known existed living right above him; a whole floor of women from Spain with curious and intriguing customs and history.

As he becomes more infatuated with Maria, he decides to help the women living upstairs by improving their living conditions while learning more about the maids' lives and their problems. The women in turn fawn over him in gratitude, treating him with the greatest respect and enthusiasm and including him in their secret lives.

The boisterous ensemble performances by the maids are a pleasure to watch as they interact with the French and each other at the local market while teaching Maria the ways of the French culture. And veteran actor Fabrice Luchini is priceless as Jean-Louis who finds a renewed vigor for life when using his influence as a broker to help the women as he becomes entangled in their personal lives.

The story takes some hilarious twists and turns that will make you laugh and sigh with pleasure. If you have ever been enchanted by a new culture through its charmingly beautiful women, you will fully identify with and appreciate this delightful romantic film. 

JP

Marilyn & Mumble frail and humble

Two films that couldn’t be more unalike, one aimed at adults and the other at a younger audience although adults will also enjoy it, currently playing in theatres are in fact very similar in many respects. My Week with Marilyn and Happy Feet 2 are both feel-good films about frail insecure characters that struggle with and eventually manage to conquer their fears and doubts about their abilities, and both are satisfying holiday films that will not disappoint. The films are visually breathtaking, emotionally engaging with star studded casts of beautiful characters.

The new film My Week with Marilyn is a true story about the struggles and a clash of personalities between the American film icon Marilyn Monroe and the British master of the stage Sir Laurence Olivier during the filming of a movie they did together, The Prince and the Showgirl in 1957. It shows the marked differences in acting styles between the unpredictable natural instincts of Marilyn and the polished classically trained stage conventions of Laurence Olivier.

It’s an excellent heartwarming story of first love on a movie set with some of the greatest entertainment personalities of the 20^th century and it all happens to be true. Based on the diaries of the third assistant director, Colin Clark, who was then a young man eager to work in the film industry and got his first job on this film through a family connection where he met and inadvertently became Marilyn’s confidant; helping her through the struggles and conflicts with her director and co-stars and with her insecurities.

Having experienced life behind the curtain of the Theatre and on the set of a movie production myself, this film felt very accurate and realistic with fabulous performances from Michelle Williams as Marilyn, and Kenneth Branagh as Sir Laurence Olivier. The mostly British cast also includes the well-known Dame Judy Dench, Emma Watson, best known as Hermione Granger in the Harry Potter films, Dominic Cooper, recently from The Devil’s Double, and Derek Jacobi one of the greatest Theatre and film actors in England.

Happy Feet 2 is the computer animated sequel to the Oscar winning film Happy Feet (2006) starring singing Penguins, elephant seals, a pair of krill and a Puffin. The film is voiced by a star studded cast of well-known American actors including Elijah Wood, Brad Pitt, Matt Damon, Robin Williams, Hank Azaria and Sofía Vergara from the hit TV sitcom Modern Family.

Mumble must battle his insecurities as a new father when he tries to be the supportive and inspirational dad for his son, a role that his own father could not provide for him in the first film. But he has some serious competition and major obstacles to overcome as his son’s ambitions may be unattainable.

If you loved the first Happy Feet as I did, you will not be disappointed. As with the first film, the Penguins and the rest of the creatures, apart from the fact that they sing and dance, are all rendered as realistically as possible and with incredible detail. The Music is fabulous as usual and the story has a poignant environmental message as in the first. All the elements that made Happy Feet such a memorable hit are in this sequel. Enjoy and feel free to bring the kids. 

This holiday movie season has something for everyone and an even greater line up is on the way including two Steven Spielberg films The Adventures of Tintin (Dec. 21), and War Horse (Dec. 25). 

Also watch for Sherlock Holmes: A Game of Shadows on Dec. 16, Mission Impossible: Ghost Protocol and The Girl with the Dragon Tattoo (Dec. 21) and We Bought a Zoo (Dec. 23).

JP

Incendies

A jaw dropping experience! That was my first reaction after seeing this film recently on Blu-ray. It’s as powerful as a Greek tragedy, biblical in its imagery, and as shocking as the ending of the award winning Korean film Oldboy (2003) but doubly so. I don’t want to give anything away because the mystery of the story takes you on a journey that keeps you in suspense until the very end and the disturbing revelations are so startling that you won’t believe it.

A mother of twins living in Canada leaves behind a cryptic will request that sends her two children back to a village somewhere in the Middle East to learn about their mother’s turbulent life and the circumstances under which they were born. This film will leave you stunned and reveals some gruesome war atrocities committed by both Muslims and Christians. I saw this after the Arab revolution that saw Moammar Gadhafi killed by his own people and his son captured and it brought to mind some similar images of that conflict.

Directed by French Canadian Denis Villeneuve, who also directed Politechnique (2009), about the 1989 massacre of 14 female Engineering students in Montreal, Incendies (2010), which was released early this year, is also about the violent destruction of anger but this film is set against the extremism of a religious civil war and was shot with a raw documentary style, giving it a devastatingly realistic feel. It fully deserved the Oscar nomination it got for best foreign film last year and was a favorite to win. 

It’s a realistic depiction that can be a little disorienting at times when the story moves back and forth between the young Nawal Marwan, a Muslim girl who falls in love with a Christian boy, and her daughter who is retracing her steps years later to find out what happened to their mother and a missing brother. The mystery is carefully and slowly revealed to us just as the twins are also uncovering it.

Based on an acclaimed Canadian play of the same name by a Lebanese Canadian actor and play write, Wajdi Mouawad, Incendies was filmed in Jordan using Iraqi refugees and is set in an unknown Middle Eastern Country and a fictional city that could easily be Beirut, Lebanon in the 70s.

It took me a while to get around to seeing this film; I actually walked out of a theatre once at the beginning of this film because I was not happy with the picture quality that was being projected but I had heard many good things about it throughout the year, including all the Genie awards it received (Canadian Oscars), and l was definitely not disappointed when I finally did see it. Don’t miss it. It’s a must see you won’t soon forget.

JP

Lars and the Real Girl

This movie is a hilarious but touching comedy that takes a very unusual but real situation and treats it with charm and respect. The comedy comes out of the fact that everyone is stunned by the strangeness of what is happening, but they never play it for laughs. The situation is always treated as realistically as possible. It’s a disarmingly moving gem that hits all the right notes and will steal your heart.

Lars and the Real Girl (2007) is about an introverted, sensitive man battling his fear of people and human contact. To get over this, he buys a plastic female sex doll on the internet and has a relationship with it as if she were real. His family and the rest of the small town they live in find this behavior odd to say the least but try to help him with comic and charming results.  There are natural funny moments in the film, but it’s all played with sincerity because the problem Lars has is quite debilitating. 

The central character of Lars, who tries to keep himself isolated, is played by Canadian actor Ryan Gosling, who grew up in Cornwall, Ontario and is currently the 'it guy' for leading man roles with recent hits like Drive (2011), The Ides of March, (2011), Crazy, Stupid, Love. (2011), Blue Valentine (2010) Half-Nelson (2006) and The Notebook (2004) and in this movie you can see why his appeal is so infectious.

He has one of those very special faces that are mostly expressionless and neutral onto which the audience can easily project their emotions. To explain what I mean by this, I will compare him to another actor and a character that also possess this unique ability. One of which is the great silent era comedian Buster Keaton, who was nicknamed ‘the great stone face’ for his hilarious deadpan and blank looking expressions in the most audacious situations. All the comedy and expression comes from his body language. 

A character for whom this is also true is C-3PO from the Star Wars saga. He is a robot with a blank, expressionless, neutral face and we project our emotions on him according to the situations he finds himself in and his physical body movements. There is an amazing example of this in a scene from the first Star Wars movie A New Hope (1977) where Luke Skywalker is being consoled by princess Leia after the death of Obi-wan Kenobi. Sitting opposite him is the robot C-3PO with his head downcast in sadness. The robot has no expression on his face but he looks so sad simply because of the situation and his body language. 

This is of course not the only reason for Ryan’s recent success as an ‘in demand’ actor; he is obviously very dedicated and great at what he does and this movie is an indication of just how talented he is. Ryan will also be starring in the long awaited remake of Logan’s Run (1976) which is scheduled for release sometime in 2014 and starts shooting before the end of this year.

If you want to see what all the fuss is about, catch him in this excellent and one of my favorite films, Lars and the Real Girl, which is available on DVD, and then watch some of his more recent films currently in cinemas like the political drama The Ides of March and the crime drama Drive, where he puts his signature stoic stone face to effective use. 

JP

Remembering Days of Glory

With Remembrance Day upon us I thought it would be a good opportunity to talk about one of my favorite genres; the war film. During this time we are usually shown some of the best examples of these movies on TV to remind us of the sacrifices that were made by soldiers all over the world.

Most of the war films we associate with Remembrance Day are those depicting WW II, a truly international war involving many nations and cultures and one we are in many ways still recovering from. There is probably no one in the world whose family was not affected in some way by that war.

We have today a great selection of war films from many different countries that tell the WW II story from different perspectives.

The Holocaust: Schindler’s List (1993), Fateless (2006), The Counterfeiters (2008).

The Russian perspective: Ivan’s Childhood (1962), Commissar (Komissar) (1967), Come and See (1985), Enemy at the Gates (2001), and The Cuckoo (2003).

The Allied soldier’s perspective: Overlord (1975), Memphis Belle (1990), Saving Private Ryan (1998), U-571 (2000), and Days of Glory (2007).

Resistance movements in France: Army of Shadows (1969), Lacombe Lucien (1974), Inglourious Basterds (2009).

Resistance movements in Holland: Soldier of Orange (1979), Black Book (2007), and Winter in Wartime (2011).

Resistance movements in Poland: The Pianist (2002), In Darkness (2011).

Resistance movements Russia: Defiance (2009).

The war in the Pacific: Objective, Burma! (1945), The Bridge on the River Kwai (1957), The Thin Red Line (1999).

The Japanese perspective: The Burmese Harp (1956), Fires on the Plain (1959), and Letters from Iwo Jima (2007). 

Even Germany’s perspective: Das Boot (1981), Mephisto (1981), The Ogre (1996), Sophie Scholl: The Final Days (2006), Downfall (2005), and Valkyrie (2008). 

One of the newer war perspectives comes from films dealing with ethnic soldiers under colonial rule fighting for the motherland and the prejudices they face from their own army while at the same time sacrificing their lives for the country that discriminates against them.

Days of Glory (2007) is one of these powerful films I recently watched again on Blu-ray from France and Algeria, which is a true story about Arab Muslim soldiers, recruited from the French colonies of Morocco and Algeria to fight for France. But they were heavily discriminated against and not treated with the same respect that French soldiers enjoyed and were basically used as canon fodder for the Germans, before sending in the French troops and never treated as French citizens as they were promised, even 60 years later.

Early next year we will see another film, Red Tails (2012), from Lucasfilm with a similar perspective about African American pilots fighting in the U.S. army during WW II and the discrimination they faced from their own army while dying for their country. Watch for it on January 20, 2012.

JP

Circumstance

Circumstance is a fascinating drama that looks at how a loving family in Iran falls apart under a repressive Islamic fundamentalist regime. The story is a mix of Deepa Mehta’s Fire (1996) and the German film The Lives of Others (2006) by Florian Hanckel von Donnersmarck.

Told through the eyes of the young free spirited, fun loving daughter of a liberal, well-educated family of professors living in Tehran, Iran, it tells the story of a budding romance between the daughter and her best friend, and how Islamic fundamentalists infiltrate the family through an East German style Stasi spy system.

I liked everything about this film; the beautiful poetic, dreamy visual style and pace of the film, the realistically well drawn characters, the excellent cast who are natural and totally believable and the eerie Orwellian big brother feeling that pervades the film with surveillance camera footage.

This film really opened my eyes to the oppression of not only women and youth but also how everyone in a radical Islamic state is affected by the restrictions placed on people’s freedoms. A young girl’s coming of age and love for her beautiful girl friend is shattered when her older brother, a recovering addict, lost and unable to find work as a musician, is indoctrinated into the fundamentalist Islamic faith and joins the morality police. Betraying his friends and family by spying on them, he turns them into the police to serve his own purposes, destroying the family’s liberal haven in a repressive totalitarian state.

This Sundance Audience Choice award winning film is at times very sensual and gives us a look into the underground youth culture in Iran. I thought this was a very engaging, mesmerizing and thought provoking film that touched on many issues. 

First time director Maryam Keshavarz has based the film on her own real experiences while living in Iran and has powerfully recreated the oppressive atmosphere of people living in fear of the state.

Other excellent films that deal with this subject matter in Iran include Persepolis (2007) by Marjane Satrapi and Ten (2002) by Abbas Kiarostami.

JP

The Rocky Horror Picture Show

I write about a lot of films that are unfamiliar to most viewers, so in an effort to engage more people in making comments or engage in a discussion, I decided to review a film that most people have seen, or at least few people haven’t seen. But also a film that is hated as much as it is loved. So it would have to be an older film and a controversial film that has a cult following but one that everyone has an opinion about.

Which film would fulfill all these criteria? I think that the one film that qualifies as a well-known cult classic that is loved and reviled or at least misunderstood in equal parts is The Rocky Horror Pictures Show (1975). I know I was completely baffled and appalled by this film when I first saw it and didn’t know quite what to make of it. It was certainly bold but who would make such a crazy film? I saw it as part of a University Cult Night film festival that also included a Monty Python film And Now for Something Completely Different (1971), and A Clock Work Orange (1971) that I was invited to back when I was around 17 or 18 years old. 

I’m glad that I was older when I first saw these films because I was a little shocked upon the initial viewing, never having seen anything like it before and it certainly made a big impression on me.  I later learned to appreciate these films for the powerful allegorical artistic expressions that they were.

The Rocky Horror Picture Show celebrates the uniqueness and passions of misunderstood misfits that are ostracized by society. Using the Frankenstein story structure and Rock n Roll musical genre to illustrate the grotesque outcast as lonely and tortured individuals with deep feelings, a conservative straight laced couple, stranded and seeking refuge in a haunted house full of sexual deviant outcasts, overcome their initial fear of the unknown when they find they are not so different from them in their desire for acceptance and respect. This is a fun and outrageous film with great sing-a-long music.

This film may actually be more poignant today than ever. Even though we seem to be more accepting today of different cultures, religions and life styles, there is more division between the rich and poor, the working class and the privileged, the cyclist and the SUV driver, people who are motivated by a passion for their craft and people who are solely motivated by profit, or the hoarding of wealth. Part of the problem is that we as a society encourage and reward bad behavior.  We have been taught by society to do anything as long as it makes a lot of money; that whatever you do is not worth doing unless it makes you rich. So now we have a lot of unhappy, lonely people who are working in unfulfilling jobs and we have become a society of people who allow greed for profit to always take priority over any other humane or moral obligations.

If you look at the Occupy movement that is happening in many major cities in the world, these marginalized people are being characterized as a bunch of hippies, commies, junkies, freeloaders, you name it but in fact these are people from all walks of life and from all age groups who are victims of our society’s greed for profit.

The Rocky Horror Picture Show is about the persecution of those who are different; the marginalization of people who chose not to follow the mainstream and the fear we have of anything that is strange or unknown. We must respect and know that everyone has a unique ability and can make an important contribution to our society.  

JP

SENNA

SENNA is an engrossing documentary that has all the drama and suspense of a cinematic movie. Even if you have never heard of the Brazilian race car driver Ayrton Senna, or have no interest in Formula One racing, you will still be captivated by the singular genius talent of a young passionate and driven individual who could live no other way than where his heart lead him. This was his greatest strength and also his greatest weakness and ultimately led to his fatal, untimely end.

I saw this film just after the recent fatal tragedy involving two time Indy 500 champion Dan Wheldon, who was killed in a 15 car crash during a race at the Las Vegas Motor Speedway, making this movie seem even more topical and poignant now. 

You will be captivated by the personality of this engaging young man with an unbelievable passion for driving since he was only thirteen years old and competing in go-kart races in South America. The producers of the film had the complete support and co-operation of the Senna family and had access to some amazing home video footage of Senna during his early days of racing.

The producers of this documentary clearly felt extremely passionate about bringing Senna’s story to the screen and doing it full justice, which was instrumental in getting the support of Senna’s family and also the full backing and co-operation of the Formula One organization, who provided unlimited access to  previously  unseen archival behind the scenes footage.

We get to see Senna’s whole career as a driver with intimate family video and narrated by everyone who was a part of his racing life including his mother, father and sister and many drivers who raced with him. Allowing the film footage to tell Ayrton’s story from his own perspective and using his voice gives the film the feeling of a personal drama.

We also get amazing footage from the driver’s seat of Senna’s Formula One cars while he is racing in all of his most important races, including the one he met his fatal destiny in. The camera footage from inside and outside the cars are absolutely engaging and provide such an important immersive dimension to the film, that you forget that you’re watching a documentary.

Highly engaging in its story as well as its subject, this film and the personality behind it will stay with you long after the chequered flag waves and will give you the feeling of having known intimately, someone extraordinary. And even though we know what happened to Ayrton, after getting to know him as a person, seeing exactly how and why it happened is heartbreaking and emotional. 

It’s an inspired documentary for an inspirational personality. Don’t miss it.

JP

The Eagle

Based on the 1954 historical adventure novel for children The Eagle of the Ninth by Rosemary Sutcliff and directed by the Scottish documentary film maker Kevin Macdonald, who directed such excellent films and documentaries as Touching the Void (2003), The Last King of Scotland (2006), State of Play (2009) and Life in a Day (2011), which has just been released on Blu-ray and DVD, this new adaptation of the famous historical epic, that takes place in 140 AD Roman occupied Britain, is a labor of love for both the director and producer as they had both read the book in their childhoods and still had very fond memories of it.

As a documentary filmmaker, authenticity was of the utmost importance to Kevin Macdonald and it clearly shows in this visually stunning realistic portrayal of a Roman Legion soldier, whose father and an entire 5,000 man Legion disappeared 20 years earlier, must now travel alone with his slave into barbaric and dangerous unknown northern Celtic territory to find the lost Eagle standard of the title and restore his family’s honor.

Filmed by cinematographer Anthony Dod Mantle, the visual style and stunning beauty of the raw natural environments is what you would expect from the person who won an Academy Award for his work in Slumdog Millionaire (2008).

The story is in the same epic quest adventures of courage style as Gladiator (2000), Beau Geste (1939) and Apocalypto (2006).  A warrior soldier is captured by or must infiltrate enemy territory, to retrieve or find a lost item that will restore his family honor. But don’t expect the grand scale of those previous CG heavy movies mentioned above. This movie has done an amazing job of looking big scale but on a much smaller budget, without all the CG effects.

Filmed on locations in Scotland and Hungary, the costumes and settings are historically accurate and you get a feeling of being immersed in a well-researched genuine world in a time of our past. The Roman Empire was clearly the most civilized nation of its time and even a slave’s life in a Roman city was more civilized than a life outside of the Empire.

There is a great relationship between the two main characters of a master and his slave, where both men have something to prove by helping the other. The solid performances keep you hooked into the story of two men from different worlds, who both have very strong moral codes but are tied to each other against their will, and must somehow see past their differences to stay true to their convictions.

Since the film is dealing with primitive Celtic tribes of the British Isles only English actors were used to play the early Celtic tribes and American actors portray the Romans. This makes good sense as America is more closely associated today with the strong military power that Rome was at the time. 

This movie will stimulate your appetite and curiosity about this period in Europe’s history and will be very enjoyable if historical epic adventure is your thing.

JP

Cowboys & Aliens

A visually realistic, traditional Western with a twist, this movie is a serious integration of alien abduction sci-fi film with the classic Old West.  It’s Close Encounters of the Third Kind (1977) meets True Grit (2010) but it’s so much more. The story is a unique concept based on a comic book that has people from a small gold mining town being abducted by aliens and then going out on a rescue mission to save them from the 'demons'. On their side they have a posse that includes an abductee who has recently escaped without any memory of it, a brave ex-Civil War colonel, a kid and his dog, Apache indians, a group of outlaws and a woman with a secret.

The critics were not kind to this film but after the hype died down I finally went to see it in an almost empty theatre and was pleasantly surprised to find that it didn’t suck. Half way or more through the film I thought, this is actually a damn good story and a well done film.  I was impressed by the gripping storyline, the characters were realistic and well played by an excellent cast, the aliens and alien ships are very realistically rendered into the action and there are plenty of surprises. 

Both Westerns and Sci-fi films are what Hollywood does well and here they have nicely blended the two using Harrison Ford (Indiana Jones) and Daniel Craig (James Bond) as the two main characters in a large ensemble cast of lesser known but excellent talent including the wonderful Sam Rockwell, recently from Moon (2009) and Conviction (2010), who provides some comic relief.

Director Jon Favreau, who is no stranger to Sci-fi films as he is a big Star Wars fan and directed the two Iron Man movies, depicts both genres with a realism that is respectful of both. With Steven Spielberg producing and ILM doing the majority of the Special Effects the movie spares no expense to make it look great.

What’s funny is that the aliens, when they abduct people, they do it like cowboys on horses when they rope in their cattle with lassos. The aliens also use a sort of lasso while flying, that ropes in the people and snatches them up. The shoe is now on the other foot; the cowboys are now cattle being roped in by aliens in spaceships.

If it sounds fantastic, it is, but don’t be put off by the high concept and mediocre reviews; most people will thoroughly enjoy this film.

JP

CHE - part 1 & 2

Oct. 9, 2011 will mark the 44^th anniversary of the death of Argentine Marxist revolutionary Che Guevara in Bolivia where he was captured and executed by Bolivian armed forces who were assisted by the CIA.

The Steven Soderbergh movie CHE (2008) is presented in two parts, the first part called The Argentine is about the Cuban campaign and the role that Che Guevara played in the Fidel Castro led revolution against the corrupt Batista dictatorship. The second part called Guerrilla is about Che’s guerrilla campaign in Bolivia where he was killed.

Based on Ernesto Che Guevara’s diaries and the book “Che Guevara: A Revolutionary Life” by Jon Lee Anderson that includes seven years of research, director Steven Soderbergh, who also directed Contagion (2011), Traffic (2000), Erin Brockovich (2000), Solaris (2002), The Good German (2006) and The Limey (1999), uses a style of filming that is well suited to this type of biographical material.

This movie is stunningly photographed in remote locations, using a high performance digital cine camera with the quality of 35mm film mixed up with some black and white footage that gives the film a documentary feel, and in fact, the movie feels more like a diary of Che’s experiences during his time fighting in the mountains of Cuba and Bolivia. The films feel like a docudrama on how to conduct a revolution and guerrilla warfare tactics against a superior government armed force, while helping the peasant country folk, who they depend on to survive.

As a document on the hardships and problems of creating a revolutionary rebel force while living off the land in remote locations with little food or shelter, and educating the peasant class while recruiting soldiers to defend them against an uncaring government, the films succeed beautifully. But don’t expect an exhaustive portrait of the life of Che Guevara. There are no details about his personal life here; we only see parts of his revolutionary life in Cuba and Bolivia.

I, like most people, knew of Che Guevara; had seen his image and knew what he represented but never really knew how and why he became such a powerful icon of rebellion. This film answers some of those questions but what this film also does, is instill a sense of curiosity about the man and his extraordinary drive and passion to make the world a better and more humane place to live in for everyone. 

Throughout the film, you see him trying to treat everyone fairly by taking away privileges from the few and sharing them with everyone, making sure that everyone gets treated equally and without prejudice. Che is kind of like a Robin Hood figure, trying to give to the poor what the state has denied them because of greed and because they are seen simply as worthless. Because Che was a doctor, he could offer a valuable service to his soldiers and to the remote village people who normally don’t have access to medical expertise. Using this expertise freely, he was able to win over the guerrilla soldiers he commanded and the common people in the countryside. The message he brings is ‘the privileged beware because the people who you marginalize will rise up against you.’

Other excellent movies come to mind while watching CHE; like the recent Carlos (2010) which was also about a revolutionary fighter.  I am Cuba (1964) which is a Russian film about the Cuban revolution and some of the photographic style of that movie is also evident in CHE, and The Motorcycle Diaries (2004) about Che’s early life in Argentina and South America.

Benicio del Toro, recently from The Wolfman (2010) and 21 Grams (2003), gives a fantastic and very realistic performance for which he won a best actor award at the Cannes film festival. Most of the cast are unknowns to me except Catalina Sandino Moreno form Maria Full of Grace (2004), and Love in the Time of Cholera (2007). I was surprised that Matt Damon and Lou Diamond Philpps also made cameo appearances.

JP

Essential Killing

From the veteran Polish writer, actor and director Jerzy Skolimowski, comes a very unusual film with virtually no dialogue and told entirely from the perspective of a captured Afghani Taliban insurgent. It could almost be considered an art film because of the beautifully photographed landscapes and vistas of a figure running through other worldly, exotic locations.

An Afghani insurgent is captured by American forces in a canyon desert landscape and taken prisoner. Tortured and unable to understand or hear what is being said to him, he is taken to a secret location somewhere in Eastern Europe, where an accident allows him to escape. Running for his life, in a completely foreign, remote land, unable to communicate with anyone, he has no idea where he is and assumes everyone is out to kill him. 

There are elements of the Bourne series here because he is a trained soldier being pursued by secret government agents and armies and the action is non-stop. It is a visually stunning action chase film with very little dialogue and a totally believable performance by the lead actor Vincent Gallo, recently from Tetro (2009), whose character is never named. His nail biting performance is so suspenseful that you are constantly wondering what will happen to him next and how will his journey end, and who is this guy? 

Throughout the film we get short glimpses into his past life, as he dreams about his wife and home, and this seems to be what drives him to keep going. However this is not a conventional story, and we follow him for a short time but we don’t really know what happens to him. The movie finishes and we are left wondering what it all means. 

But it’s a fascinating glimpse into the crazy consequences of war, and our capabilities to survive at any cost. It shows how, in primitive and brutal circumstances, we regress to our basic animal instincts, making killing essential to survive. Similar in some ways to 127 Hours (2010), it shows how we are capable of the most desperate acts if our survival depends on it.

I would consider this to be a war film and some of the scenes are quite violent and graphic as you would expect in a war film. But it is a unique war film that shows a unique perspective on the war in Afghanistan; one that you will not see anywhere else, and this makes it worth seeing. One thing is for sure, this film is as fascinating as it is disturbing and you’re not likely to forget it. 

JP