Following Pixar director Brad Bird’s live action debut last
year of MI: 4 Ghost Protocol (2011),
Andrew Stanton, the animation studio’s director of Finding Nemo (2003) and WALL-E
(2008) is now the second Pixar alumnus to also make his live action debut with
Disney’s John Carter of Mars.
John Carter has
many pulpy elements that today’s audiences will be familiar with from other
popular Sci-fi/fantasy series like the Star Wars saga, Dune, Conan the Barbarian, Stargate, Flash Gordon and Avatar, but that is only because those films were all at
least partly inspired by this classic hundred year old Martian adventure series
by Edgar Rice Burroughs.
John Carter’s story has a lot in common with and was heavily influenced by the books of Edwin L. Arnold who wrote the adventures of Lieutenant Gulliver Jones in Gulliver of Mars in 1905, just seven years before Burroughs first published his Martian tales. Unfortunately much of the novelty that the adventures of John Carter once provided is lost by now, although there is still much to like about this movie, which is based on the first of Burroughs’ Mars adventure tales, A Princess of Mars, written back in 1912.
John Carter’s story has a lot in common with and was heavily influenced by the books of Edwin L. Arnold who wrote the adventures of Lieutenant Gulliver Jones in Gulliver of Mars in 1905, just seven years before Burroughs first published his Martian tales. Unfortunately much of the novelty that the adventures of John Carter once provided is lost by now, although there is still much to like about this movie, which is based on the first of Burroughs’ Mars adventure tales, A Princess of Mars, written back in 1912.
Burroughs is best known for creating the popular jungle
adventures Tarzan of the Apes;
arguably the most well-known character in fiction and one of my favorites. Like
his Tarzan character who became lord of the apes, John Carter is another
fish-out-of-water story of an earth man and Civil War soldier from the 1800s,
who suddenly finds himself dropped into the middle of an another war but this
time on an alien planet called Barsoom (also known as Mars to us earthlings).
Reluctantly he is forced to choose sides in a power struggle between warring
Barsoomian factions as his superior strength, due to the red planet’s weaker
gravity pull, gives him an advantage over the Martians.
Barsoom has other advanced technologies not found on earth
and John Carter soon finds himself persuaded to help a beautiful warrior princess who has been forced into an arranged marriage to the evil leader of
her people’s enemies. The princess of Mars is a tattoo covered, strong muscular
and spirited Xena type woman who’s pretty good in a fight and holds her own
with John Carter. She also enjoys inventing and tinkering with new Martian
technologies which is a mix of Steampunk gadgets and Martian bio energy.
Staying very faithful to the source material the movie feels
like a throwback to the pulp serial age of Flash Gordon but upgraded and treated with the most stunning visual
effects today’s digital technology can achieve. Clearly a lot of care and
meticulous detail was lavished on this film to do justice and pay homage to the
great American fantasy author Edgar Rice Burroughs.
This is the sort of movie George Lucas would have made if he
had bought the movie rights to Flash
Gordon in the early 1970s, which he actually tried to do, but because he
was unable to secure those movie rights he decided to create his own space
opera serial and we ended up, thankfully, with Star Wars (1977) instead.
There are many strange and fun concepts and visually
striking images thrown at us in this very rapidly paced film but what holds it
all together and makes us care is the attraction between the Princess of Mars,
played by Lynn Collins, and John Carter, played by Taylor Kitsch who have a good
chemistry.
This movie is probably going to appeal more to the Sci-fi
fantasy geek crowd of which I count myself as one and maybe younger kids who
are into fantasy role playing games and the Clone
Wars animated series. It may also appeal to older sci-fi fans that grew up
with these early pulpy fantasy stories and comics.
JP
8 comments:
hi John, this movie had opened to a very good response i've heard but i doubt it can go far. let see. Also, i agree that it will appeal more to the Sci-fi fanclub.
I really like your reviews John and although this movie would not appeal to me anyone thinking about it should read your article. I have heard some have not like it and think the trailer was so good they saw the movie and were disappointed. What do your think?
Yes it's true. The trailer looked amazing and I was really anticipating a much better film.
Although there a lot of fun things in the movie this territory has already been mined by other fantasy films that were much better.
I saw this movie because, let's face it, I'm a movie junkie and I see pretty much everything. The good; the bad; the very, very bad. (There's way too many in that last category right now.)
In explaining WHY I didn't like it, a terrific song comes to mind: "It Ain't Me, Babe" by Johnny Cash
I found John Carter to be uneven in the special effect department and in a movie like this, where special effects are everything, you can't afford to have cheesy effects pop up, even if it's only from time to time. It's almost as though you could see them running out of money on the screen. So they saved everything for the big finale and then cheap-johned the stuff in the middle. Oh, the shame!
Also the storyline was something less than....plausable. LOL Not exactly a "slice of life." But that's why Sci-fi folks like this genre of film. It's an escape film with nothing to do with reality.
(Cue Johnny Cash here:) So for those producers that are looking for the big payoff with the Sci-fi crowd, "John Carter" will probably fill the bill. But "It ain't me, babe."
(And, yes, I know that Bob Dylan wrote that song but I happen to like the Johnny Cash version better. So sue me.)
Kay in Hawaii
Thanks Kay, great comment. It's always nice to hear from a pro movie reviewer.
It's great that you still go to see so many films even when they may not be your thing.
I kind of feel bad for the producers of this film. They had such a promising property and so much talent working on it, that it's too bad it didn't turn out as well as it could have.
There were danger signs early on.
1. When a film languishes in development over 30 years, there's often a reason that it never got made. "John Carter" has been in turnaround since the '80s.
2. When big name producer/directors are associated with a project but then drop out, one after another, there's often a reason for that. Robert Rodriguez Kerry Conran, John McTiernan and John Favreau have all been signed on at one time or another but fell by the wayside. In other words, none of these guys cared so much that they were willing to fight to get it made, despite whatever obstacle existed.
3. $250 is a big nut to have to crack when you are looking at a bottom line. The good news there is that with international sales, it won't be impossible at all. You can eliminate the dialogue and still pretty much "get" the movie. This is good for international distribution but probably a bad reflection on the script. When the dialogue is so forgettable that you can just skip it, that doesn't say much for the screenplay.
I did think that dedicating the film to the memory of Steve Jobs was a nice touch, however.
Kay in Hawaii
I read all of the Burroughs Mars books many years ago. I was quite surprised when i saw someone made a movie.
I've heard it didn't do that well here in the USA, but should meet it's nut overseas.
I finally saw this on STARZ last evening. It did remain true to the story, but the story unfortunately is so dated as to make it totally unbelievable.
(Spoiler) Even making John Carter, Edgar Rice Burroughs, uncle couldn't make it sound true.
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