With recent films like The
Taking of Pelham 123 (2009) and Unstoppable,
Tony Scott was finding new ways to thrill his audiences by enhancing and pushing
the boundaries of camera movements and quick editing. Mixing Omni-directional camera
movements with rapid editing and multiple angle shots of blurring, streaking
action sequences accompanied by Rock n Roll soundtracks, he gave his films a
sense of wild kinetic sensations, and involved the audience in an immersive
feeling of being everywhere at once while cramming in as many visual details as
possible.
Using state-of-the-art cinematic visual techniques and
filming in real locations rather than sets, whether it’s an aircraft carrier in
Top Gun, the New York subway system in
Pelham 123 or Pennsylvania railways
in Unstoppable, he made those places
come alive and gave you the sense that they were characters in themselves. His
visual style was clearly influenced by the time-lapse speed of the Qatsi trilogy.
In Unstoppable a rookie
train conductor who has a restraining order keeping him from seeing his wife
and children is partnered up with a veteran train engineer who is being forced
into early retirement by the company after 28 years of service. They grudgingly
become acquainted and get to know each other while confined to the cab on the
engine car of a freight train.
Elsewhere on the same track a series of mishaps causes
another freight train carrying toxic chemicals to run loose unattended at full
speed heading toward a derailing in a populated area unless someone can somehow
board the train while it’s travelling at 70 miles per hour and manually stop
it. This movie was inspired by true events and as you might imagine from the
title, the runaway train proves more difficult to stop than anyone ever imagined.
This movie is to railway trains what Top Gun was to fighter planes, Days
of Thunder (1990) was to formula race cars, and The Taking of Pelham 123 was to New York subways. And in true Tony
Scott style this movie goes all out, being orchestrated with big bold strokes,
including the dramatic story of two working class men who go beyond the call of
duty to redeem themselves in the eyes of their families from being as useless
as society would have them believe.
Unstoppable is pulse
pounding and exhilarating to watch because we are totally invested in the
characters from the beginning with convincing performances by the Oscar winning
actor Denzel Washington and new comer Chris Pine who is known for his role as the
young captain Kirk in the new Star Trek
films by J.J. Abrams.
Action cinema today has never been more exciting. Not only
has cinema become more visceral, but never has there been as much imagery
packed into a film as in today’s modern action films. This is not to say that
these movies are necessarily better because of it. Technically, action films
today far surpass those of previous generations but a good film still needs a
good story. Without a good story the technical aspect can be fun to watch but
not involving enough to capture an audience. What sets Tony Scott’s films apart
is that he pays just as much attention to the human story as his action
sequences and Unstoppable combines a compelling
story with technical excellence resulting in an emotionally satisfying film.
The British born younger brother to the legendary director
Ridley Scott, known for such iconic films as Alien (1979), Blade Runner
(1982), Gladiator (2000), Black Hawk Down (2001), Kingdom of Heaven (2005), Robin Hood (2010) and Prometheus (2012), Tony Scott co-founded
with his brother the production company Scott Free and was well liked and
respected by Hollywood’s biggest names, having worked with actors Tom Cruise,
Denzel Washington, John Travolta, Will Smith, Gene Hackman, Brad Pitt, Robert
Redford and Robert De Niro to name a few.
Tony Scott (1944 – 2012) RIP.
JP
5 comments:
He was such a great talent that will be greatly miss by his peers and the many actors who he worked with and who admired his work. However, the audiences of his many films will be the ones who will miss him the most.
Lovely tribute. He will be missed no doubt about it.
This is a great tribute to Tony. And you said the most important thing, technology can provide that extra fizz but the content of the story, the plot, matters.
Thanks everyone. Tony was definitely an innovator in the art of film.
Great article John...
Tony's films were all about style coupled with substance...
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