Aire Libre is a
raw honest depiction of a marriage between a middle class Argentine couple, Lucia and Manuel, trying
to build a life together with their young son, which slowly disintegrates under
the mundane banality of everyday life. The conflicts slowly build up without acknowledgement
until tempers flare, eventually culminating in an explosive confrontation.
The film is a scathing critique on marriage and asks tough
questions about the viability of staying in a long term relationship with one
person and the possibility of happiness within a monogamous partnership.
The attractive actors give exceptionally intimate performances
that look spontaneous and make us feel like intruders in a couple’s most private
moments. The sexual moments are not sensual but are meant to show the emotional
distance growing between them.
This couple has big plans to renovate a newly purchased
house that will become their dream home, but the dream slowly dissolves as the dysfunction
between them grows and the house falls apart like their marriage. They literally
grow apart from each other and seem unable to come to any common ground, as
much as we want to see them achieve their dreams.
Director Anahí Berneri uses the camera to give the effect of
an intimate fly-on-the-wall style documentary that helps give the film a
personal quality.
There are no easy answers to marriage’s many problems but the film
can be seen as a cautionary tale depicting many of the little annoyances in
every relationship, and how they are brought to bear
and gradually build to a point, if not acknowledged, that it comes to a destructive
and tragic end, bringing out the worst qualities in people despite the best of
intentions.
The film takes its time to show us a complete life between
two people and their young son and moves along at a steady sometimes tedious
pace, which is the point of the film I would say. But like Boyhood (2014), the moments eventually grow into more than the sum
of its parts and the dramatic ending is a poignant and satisfying one.
Aire Libre had its
world premiere at the TIFF 2014 Toronto International Film Festival.
JP
1 comment:
Sounds like an Argentinian "Kramer vs Kramer". Well reviewed.
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