Marriage Italian Style
Virtuoso director and
actor Vittorio De Sica, who crafted such all-time Italian neorealist classics
as Bicycle Thieves (1948) and Umberto D. (1952), using keenly observed
melodramatic Italian behavior and characters, pulls us into a hilarious darkly
comic story in 1960s Italy.
When Filumena (Sophia Loren) collapses on the Neapolitan
bakery floor where she works and is rushed off through the streets of Naples by
a distraught close-knit community of supporters, they call for the shop owner
who is also her lover, Domenico (Marcello Mastroianni). While seemingly on her
death bed, she asks him to summon the priest. Worried that she may die,
Domenico now reflects on their turbulent love affair. So begins Marriage Italian Style (1964), now in a
gorgeous newly restored 4K print.
De Sica has subtly shaded this classic romantic comedy with
a strong humanist message. Its potent and honest observations about how the
wealthy, who feel superior and entitled, getting away with unethical behavior, ignoring
society’s moral code and looking down on those less educated while treating
them with disdain, is still relevant today.
The story of a wealthy vain businessman, Domenico, and a beautiful
illiterate country girl, Filumena, is pure operatic romance. When they first meet
in a brothel during a W.W. II air raid in German occupied Italy, it’s a tender moment
heightened by fear and danger that they will never forget. After the war they
meet again and become occasional lovers while she continues to work as a
prostitute. Eventually she convinces him to buy her an apartment so she can
leave the sex trade and he puts her to work in his bakery as she becomes his
mistress.
When years later she catches on that the man she loves is
about to marry someone else and is using her while continuing to have younger
lovers, she, backed by supporters, schemes a revenge plot that will trick him
into marrying her. But when the plot fails she reveals to him that she’s had
three kids that he never knew about.
Fearing another trick, he refuses to believe her story and callously
sends her away after annulling the marriage. But soon he becomes curious about
her children and discovers that one of them is his son, but Filumena will not
tell him which one for fear of alienating the other two children. She believes
they must be treated equally and he must accept all or none if he wants to be
with her.
Based on the 1946 play Filumena
Marturano by celebrated Italian poet, author, playwright and actor Eduardo
de Filippo, the message becomes clear; all children must be equally loved by
their parents who often unfairly favor one with privileges not extended to the
others. This dictum can also be applied to the treatment of people in general under
the law, the state and by people like the conceited Domenico.
Power and money corrupts absolutely. It’s an age-old problem
that no one is immune to no matter how charming they may seem. But the power of
the Italian matriarch to keep moral and family ties strong under the most
difficult circumstance eventually triumphs over the selfish male ego.
Marriage Italian Style masterfully blends plenty of playful humor between
one of the greatest onscreen chemistries of Sophia Loren and Marcello
Mastroianni with cutting political critique, achieving a stimulating memorable
film experience.
The final scenes are poetically depicted and precise. Finally
taking responsibility, inspired by her strength and moral convictions, Domenico’s
eyes and mind have opened and he agrees wholeheartedly to do the right thing.
JP
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