Heal the Living
One of the more unusual but fascinating films I saw at
tiff16 this year, Heal the Living is
an almost spiritual experience that transports us from one vigorous life force cut
short in its prime to another expiring life awakening with new vitality and
hope via the modern biomedical marvel of a heart transplant.
The human heart is the vital life-giving force of the film
as we follow a young thrill seeking boy racing through the early morning
streets of Le Havre on his bike after climbing out of his girlfriend’s bedroom
window to meet up with his surfing buddies. As they enter the dark cold water
and the waves begin to swell, the surfers are quick to pick up the challenge
and ride the surging coils.
As dawn breaks the exhausted surfers ride home in their van and
we pick up another story of a middle-aged woman in Paris who used to be a concert pianist until she was diagnosed with degenerative heart disease and now
must be put on a long waiting list to find a new heart.
Based on the Booker longlisted international novel Mend the Living by French author Maylis de
Kerangal, the film inhabits the time frozen space between life and death; a mixture
of the heartfelt emotional journey that two families go through as they deal
with heart breaking loss, and the procedural intricacies of organ donation.
Poetically shot, evoking the wonder of life with
breathtaking cinematography, Heal the
Living is also a visual marvel that takes us inside the minds of its characters
to give us a sense of their very distinct lives and emotional turmoil.
We are shown the implications and urgency of organ donations
from the first time the subject is broached to a dying patient’s parents, to
the precise timing of two surgeries that must be performed at a moment’s notice
miles apart from each other. First, to carefully harvest the organ from one
patient, transporting it to another city as quickly as possible while the other
patient’s surgery is timed and prepared to accept and insert the freshly taken heart
when it arrives.
Skillfully balancing raw feelings and moral ethics, director
Katell Quillévéré portrays the characters and the clinical procedures as being much
more emotional than one might think possible, not only for the families of the
victims but also for the doctors, nurses and surgeons themselves.
One comes away with both a new appreciation for the
professionals who perform and organize the organ donation protocols, but also
the victim’s families who must make the quick and difficult decision of giving
up their loved one’s body to undergo this intrusive procedure and trust that
everyone involved will respect their wishes and treat the dying and living with
the utmost care.
Thought-provoking and tragically inspirational, Heal the Living will remind you of the
life giving opportunity that rests with all of us if we can overcome our grief
and fears.
JP
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